Communication
Ten objects, many with body part appearance,
are lined up on the tray of our frame as if for study, The palette is weighed down: by the dark Prussian blue on the seal like shape left caressing a giant kelp; by the gangrened green furless figure, right, with its nose in the brown hollowed gaping mouth of tree; by the tubular slightly rotting green banana shades of large object center bottom. I draw back, noticing how the heaviness of my being today is informed by this alignment of parts—severed, dark, twisting— a momento mori really—frightening.
Communication
Ten objects, many with body part appearance,
are lined up on the tray of our frame as if for study, The palette is weighed down: by the dark Prussian blue on the seal like shape left caressing a giant kelp; by the gangrened green furless figure, right, with its nose in the brown hollowed gaping mouth of tree; by the tubular slightly rotting green banana shades of large object center bottom. I draw back, noticing how the heaviness of my being today is informed by this alignment of parts—severed, dark, twisting— a momento mori really—frightening.